Pichas Shaar - Raymond Cogniet, Marcel van Jole
KORTE INHOUD
Bio van Pichas Shaar 1923-1996
A Polish Jew, Pinchas Shaar experienced the barbarity of Nazism during the Second World War (1939-1945). He survived five years in the concentration camp near his native city of Lotz. After the war, Shaar studied art techniques and the Munich Academy and supported himself as a theatrical artist. He then moved to Paris and completed his studies at both the Grande Chaumiere and Beaux-Arts. Pinchas Shaar immigrated to Israel in 1956. In Israel, he became best known as an illustrator of Hebrew literature. Shaar returned to Paris in 1971 and became a regular exhibitor at the Salon and elsewhere. In his paintings and original prints, Pinchas Shaar concentrated upon depictions of the prophets, episodes in Jewish folklore, and depictions of birds and animals in a unique and fanciful manner. Peacock is a beautiful representation of the art the artist created in this style. At the core of Shaar's art is both an exploration and celebration of Judaica.
A Polish Jew, Pinchas Shaar experienced the barbarity of Nazism during the Second World War (1939-1945). He survived five years in the concentration camp near his native city of Lotz. After the war, Shaar studied art techniques and the Munich Academy and supported himself as a theatrical artist. He then moved to Paris and completed his studies at both the Grande Chaumiere and Beaux-Arts. Pinchas Shaar immigrated to Israel in 1956. In Israel, he became best known as an illustrator of Hebrew literature. Shaar returned to Paris in 1971 and became a regular exhibitor at the Salon and elsewhere. In his paintings and original prints, Pinchas Shaar concentrated upon depictions of the prophets, episodes in Jewish folklore, and depictions of birds and animals in a unique and fanciful manner. Peacock is a beautiful representation of the art the artist created in this style. At the core of Shaar's art is both an exploration and celebration of Judaica.
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Hardcover met stofomslag
De editie bestaat uit 250 exemplaren "relié de plein cuir" genummerd 1-250 en 3700 gewone genummerd 251-3950
Dit exemplaar draagt nummer 107 van de 250, dus ook "relié de plein cuir" met handtekening van de kunstenaar en opdracht van auteur Marcel van Jole
Hardcover met stofomslag
De editie bestaat uit 250 exemplaren "relié de plein cuir" genummerd 1-250 en 3700 gewone genummerd 251-3950
Dit exemplaar draagt nummer 107 van de 250, dus ook "relié de plein cuir" met handtekening van de kunstenaar en opdracht van auteur Marcel van Jole
