Nel Aerts ?Hundred Zundert - Grete Simkut
de Zundert tekeningen
KORTE INHOUD
Nel Aerts (b. 1987) moves in a freely, intuitive way between different media as painting, drawing, collage, performance and sculpture. Since a few years she focuses more often on the portrait-genre, which she visualises on paper or on wooden panels, with careful attention to the different qualities of each material. As such, she is creating a large collection (family almost) of posing subjects caught between abstract patterns and hard-edged figuration. The figures she portraits refer to both popular culture and her direct, everyday surroundings.
The self-portraits are tragicomic in the sense of the contrasts they evoke. Alternately they are desperate or funny, extra- or introverted, thought- or playful carved from wood or originated as a collage, but they are always introspective and self-relativistic.
In Hundred Zundert , “Nel Aerts evokes a visual rendezvous with Vincent van Gogh and sets the tone for the near one hundred drawings that would be made during her three-month residency at the Van Gogh House in ...
The self-portraits are tragicomic in the sense of the contrasts they evoke. Alternately they are desperate or funny, extra- or introverted, thought- or playful carved from wood or originated as a collage, but they are always introspective and self-relativistic.
In Hundred Zundert , “Nel Aerts evokes a visual rendezvous with Vincent van Gogh and sets the tone for the near one hundred drawings that would be made during her three-month residency at the Van Gogh House in ...
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1987Uitgever: , Posture Editions Nr 19, 2016Illustrator: Nel AertsReeks: Posture editions160 paginasTaal: NederlandsGrootte: 297x210x125ISBN-10: 949126219XISBN-13: 9789491262197Koop dit boek tweedehands
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Nel Aerts (b. 1987) moves in a freely, intuitive way between different media as painting, drawing, collage, performance and sculpture. Since a few years she focuses more often on the portrait-genre, which she visualises on paper or on wooden panels, with careful attention to the different qualities of each material. As such, she is creating a large collection (family almost) of posing subjects caught between abstract patterns and hard-edged figuration. The figures she portraits refer to both popular culture...
