Early Netherlandish Painting. Its Origins and Character. Volume One: Text. Volume Two: Plates. The Charles Eliot Norton Lectures 1947-1948. - Panofsky, Erwin.
KORTE INHOUD
The book had a wide impact[2] on studies of Renaissance art and Early Netherlandish painting in particular, but also studies in iconography, art history, and intellectual history in general. The book is particularly well-known for its iconographic treatment of Van Eyck's Arnolfini Portrait as a kind of marriage contract, a hypothesis advanced by Panofsky as early as 1934. The book remains influential despite its reliance on black-and-white reproductions of paintings, which led to some errors of analysis.[3]
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2-DELIG- EDITIE 1971 - - boek 1 tekst - boek 2 afbeeldingen - Enkel kreuken op voorpagina's- geen onderlijningen
