TLC The Low Countries 26 - Dirk Van Assche / Manfred Sellink

Arts and Society in Flanders and the Netherlands

KORTE INHOUD

On 20 January 2017, a mural appeared on Boulevard Barthélémy on the Canal in Brussels, of an imminent beheading. The knife and the fear on the face of a child in the depicted scene raised a furore. People thought of IS executions, and panicked.

Until it transpired that the anonymous street artist responsible had copied a section from a Caravaggio painting, The Sacrifice of Isaac (1603). The hand with the knife belongs to Abraham, a father who is about to murder his son. The hand on Abraham’s arm, holding him back, belongs to the angel, to whom Abraham surrenders at the last moment.

As if to say – since an understanding of traditions, in this instance of painting, the Bible, radically changes both perception and experience of the image –, it’s all about the context, stupid. Panic
and indignation give way to uncertainty and hesitation. The complexity of the images invites us to think. Our judgement no longer comes down like an axe, but is suspended.

Art, like everything really, exists in context: every thing refers...
2018Taal: Engelszie alle details...

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2018Uitgever: Ons Erfdeel320 paginasTaal: EngelsGrootte:  235x170x23ISBN-10: 9079705292ISBN-13: 9789079705290

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