Picasso and Portraiture Representation and Transformation - Ruben, William (ed)
representation and transformation
KORTE INHOUD
"Picasso and Portraiture Representation and Transformation" is een boek van Ruben, William (ed). Het is uitgegeven door Museum of Modern Art, New York. Deze editie verscheen in 1996. Dit werk telt 496 pagina's. Het is geschreven in het Engels.
Deze editie wordt tweedehands aangeboden door 2 boekverkopers uit Almere, Hasselt. Voor meer info, bekijk de beschrijving van de beschikbare exemplaren verder op deze pagina.
Deze editie wordt tweedehands aangeboden door 2 boekverkopers uit Almere, Hasselt. Voor meer info, bekijk de beschrijving van de beschikbare exemplaren verder op deze pagina.
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1996Uitgever: Museum of Modern Art, New York496 paginasTaal: EngelsISBN-10: 0870701428ISBN-13: 9780870701429Koop dit boek tweedehands
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Later binding: professionally bound in cloth with original cover and spine. [Auteur: Rubin, William] [Pagina's: 496] [Taal: en] [Uitgever: New York, The Museum of Modern Art] [Jaar: 1996] [Titel: Picasso and Portraiture: Representation and Transformation]
Paperback, numerous (full page) colour and b/w illustrations (including photographs), 4to.; Light stains on bottom cut. [Auteur: Rubin, William] [Pagina's: 496] [Taal: en] [Uitgever: New York, NY : The Museum of Modern Art] [Jaar: 1996] [Titel: Picasso and Portraiture: Representation and Transformation]
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Eerste druk
1996, 1e druk, 496 pp, paperback
The first 100 years of modern art witnessed the popularization of photography, the decline of traditional patronage, and an increasing emphasis on abstraction in painting, all of which threatened the survival of portraiture as a genre. It continued to flourish because modern painters - Picasso foremost amongst them - sought and found meaningful new ways to portray the human face. This book focuses on this part of the artist's oevre, reproducing works in oil, gouache, pastel, ...
The first 100 years of modern art witnessed the popularization of photography, the decline of traditional patronage, and an increasing emphasis on abstraction in painting, all of which threatened the survival of portraiture as a genre. It continued to flourish because modern painters - Picasso foremost amongst them - sought and found meaningful new ways to portray the human face. This book focuses on this part of the artist's oevre, reproducing works in oil, gouache, pastel, ...
