Joseph Kosuth - John Welchman; Joseph Kosuth
ni apparence ni illusion (E/ F)
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Published on the occasion of Joseph Kosuth's installation 'Neither Appearance Nor Illusion', an exhibition in the Medieval Louvre, October 22nd 2009 to June 21st 2010.
Joseph Kosuth installed on the foundation walls of the original Louvre palace 15 neon text lines he appropriated from an artwork he developed to be read on the Internet, a project for young artists at the Brooklyn Museum. In this context combining a medieval archeological site with a historical art institution the exhibition circuit unfolds the field of potential meanings that always has been the hallmark of Kosuth installations.
Entitled 'Neither Appearance Nor Illusion' in reference to Nietzsche, it is undoubtedly one of the artist's most successful and spectacular interventions to date.
Joseph Kosuth installed on the foundation walls of the original Louvre palace 15 neon text lines he appropriated from an artwork he developed to be read on the Internet, a project for young artists at the Brooklyn Museum. In this context combining a medieval archeological site with a historical art institution the exhibition circuit unfolds the field of potential meanings that always has been the hallmark of Kosuth installations.
Entitled 'Neither Appearance Nor Illusion' in reference to Nietzsche, it is undoubtedly one of the artist's most successful and spectacular interventions to date.
Details
2010Uitgever: Borgerhoff & Lamberigts164 paginasTaal: EngelsISBN-10: 9490693030ISBN-13: 9789490693039Koop dit boek tweedehands
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Stel vraag Hardcover
Hardcover, 32 × 26 cm, 164 p. [Auteur: Joseph Kosuth, Jacinto Lageira, Marie-Laure Bernadac] [Uitgever: Gent, MER.paperkunsthalle, 2010] [Titel: Joseph Kosuth: Ni apparence ni illusion]
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Stel vraag Hardcover
Published on the occasion of Joseph Kosuth's installation Neither Appearance Nor Illusion, an exhibition in the Medieval Louvre, October 2009-June 2010. Joseph Kosuth installed on the foundation walls of the original Louvre palace 15 neon text lines he appropriated from an artwork he developed to be read on the Internet, a project for young artists at the Brooklyn Museum. In this context combining a medieval archeological site with a historical art institution the exhibition circuit unfolds the field of pot...
