Formless Furniture  -  Sebastian Hackenschmidt; Dietmar Rübel

KORTE INHOUD

In the mid-1960s, artists like Robert Morris, Joseph Beuys, Michelangelo Pistoletto and Lynda Benglis began to experiment with formlessness in their materials. The maxim Form follows material," however, was not only proclaimed in the era's avant-garde art: it had a distinct impact on furniture design as well--for example, on Gunnar A. Andersen's experimental polyurethane Portrait of My Mother's Chesterfield Chair of 1964 and Zanotta's famous Sacco beanbag chair of 1968. Edited by Peter Noever, Director of V...
2008 Taal: Engels zie alle details...

Details

2008 Uitgever: Hatje Cantz Verlag 136 paginas Taal: Engels Grootte:  260x210x260 ISBN-10: 3775722475 ISBN-13: 9783775722476