American Architecture - David P. Handlin
KORTE INHOUD
250 illustrations.
America has always presented a unique challenge to architects: should they emulate the Old World or respond to the demands of the New? Professor Handlin tells the complex story with ludicity and insight. Almost from its 17th-century beginnings, American architecture was subject to two apparantly contradictory processes - the practical and the grandiose. The first comes through in the vernacular buildings of rural America, the innovations of Jefferson, Bulfinch's fine civic buildings, the offices and factories of the Industrial Age, and the comfortable domestic tradition that lies behind the houses of the Greene Brothers and Frank Lloyd Wright.
The second is seen in the unprecedented daring of the Chicago School - great engineers like Adler united with great designers like Sullivan; in the majestic state capitols, exhibition halls, and public buildings by firms such as
McKim, Mead & White; in the luxury of Fifth Avenue mansions; and in the exuberance of commercial Manhattan.
The book ends with...
America has always presented a unique challenge to architects: should they emulate the Old World or respond to the demands of the New? Professor Handlin tells the complex story with ludicity and insight. Almost from its 17th-century beginnings, American architecture was subject to two apparantly contradictory processes - the practical and the grandiose. The first comes through in the vernacular buildings of rural America, the innovations of Jefferson, Bulfinch's fine civic buildings, the offices and factories of the Industrial Age, and the comfortable domestic tradition that lies behind the houses of the Greene Brothers and Frank Lloyd Wright.
The second is seen in the unprecedented daring of the Chicago School - great engineers like Adler united with great designers like Sullivan; in the majestic state capitols, exhibition halls, and public buildings by firms such as
McKim, Mead & White; in the luxury of Fifth Avenue mansions; and in the exuberance of commercial Manhattan.
The book ends with...
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