The heritage of hiroshige - Dora Amsden - John Stewart Happer

a glimpse at japanese landscape art

KORTE INHOUD

Japanese connoisseurs are inclined to wonder at the fast-growing demand in the Occident for good examples of the art of ukiyo-ye color printing. Why, they ask, should Americans and Europeans pay great prices for these prints when, for a little more money and the expenditure of a little more pains, they can buy original paintings—if not the very greatest artists, at least men whose productions are above the mediocre?

It is a curious little problem, but the solution is by no means difficult. We collect Japanese prints for the same reason that many of us prefer a coin of Syracuse to a relief by Phidias, Botticelli’s lovely drawings of children to his paintings, the Great Anthology to Oedipus, the Vita Nuova to the Divine Comedy. We love these things because they are simpler, nearer to ourselves than the masterpieces, because we cannot understand the greatest things. The San Francisco firm of Paul Elder & Co. has obtained an enviable reputation by its publications of illustrated works on Japanese art.
So wrote revi...
1912Taal: Engelszie alle details...